{"id":1064,"date":"2026-10-01T11:45:57","date_gmt":"2026-10-01T08:45:57","guid":{"rendered":"https:\/\/fljournal.rsu-rzn.ru\/?page_id=1064"},"modified":"2026-10-01T12:20:12","modified_gmt":"2026-10-01T09:20:12","slug":"1064-2","status":"publish","type":"page","link":"https:\/\/fljournal.rsu-rzn.ru\/en\/1064-2\/","title":{"rendered":""},"content":{"rendered":"

<\/p>\n

Poetry translation as a strategic re-creation of the artistic whole: An integrative analysis of the Russian translation of Klabund\u2019s poem \u201cDer Friede\u201d<\/h1>\n
Pages:<\/strong> 5-12 \u00a0|
\nDOI:<\/strong> 10.37724\/RSU.2026.78.3.001 \u00a0|
\nEDN:<\/strong> XMZVDE \u00a0|
\nUDK:<\/strong> 81`255.4<\/div>\n
\n

Vyazmin A.E.<\/strong>
\nNorthern (Arctic) Federal University named after M.V. Lomonosov<\/p>\n

Polikarpov A.M.<\/strong>
\nNorthern (Arctic) Federal University named after M.V. Lomonosov<\/p>\n<\/div>\n

\n

Abstract<\/strong>This article presents an analysis of the author\u2019s translation of the poem \u201cDer Friede\u201d by the German expressionist Alfred Henschke (pseudonym Klabund) into Russian. The research is conducted within the framework of integrative translation studies, which entails a rejection of a narrowly linguistic view of translation as a mere substitution of linguistic units. The source text is conceptualized as a complex, multi-layered artistic system that requires holistic reconstruction by means of a different language and culture. The primary goal of the work is to reconstruct the hierarchy of the translator\u2019s conceptual and practical steps. Special attention is paid to the interrelation between the macro-strategy (the choice of a general approach, determined by the purpose of the translation and the identification of the semantic invariant \u2014 that which must be preserved at all costs) and micro-tactics (specific lexical, grammatical, and stylistic devices). The study focuses on analyzing the processes of re-creation (rather than literal copying) of the poem’s fabric of imagery, identifying instances of systemic compensation, where a loss at one level of the text is compensated for at another, as well as the role of hermeneutic interpretation as the primary stage that shapes the entire translation strategy.<\/p>\n<\/div>\n

Keywords:<\/strong> Klabund, integrative translation studies, poetry translation, strategizing, translation purpose \/ skopos, invariant, re-creation of the text, systemic compensation, recipient culture \/ target culture, poetry<\/div>\n
Funding:<\/strong>
\nnone<\/div>\n
\n

References<\/h2>\n

1. \u041a\u043e\u043b\u043a\u0435\u0440 \u042f. \u041c. \u041f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0444\u0443\u043d\u043a\u0446\u0438\u044f \u044f\u0437\u044b\u043a\u0430 \u2014 \u0437\u0430\u043b\u043e\u0433 \u0434\u043e\u0441\u0442\u043e\u0432\u0435\u0440\u043d\u043e\u0441\u0442\u0438 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0430 \/\/ \u0418\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u043d\u044b\u0435 \u044f\u0437\u044b\u043a\u0438 \u0432 \u0432\u044b\u0441\u0448\u0435\u0439 \u0448\u043a\u043e\u043b\u0435. \u2014 2021. \u2014 \u2116 1 (56). \u2014 \u0421. 71\u201378. \u2014 DOI: 10.37724\/RSU.2021.56.1.008.<\/p>\n

2. \u041a\u043e\u043b\u043a\u0435\u0440 \u042f. \u041c. \u0424\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0430\u044f \u043f\u043e\u0434\u043e\u043f\u043b\u0435\u043a\u0430 \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430 \u0438 \u0435\u0435 \u0440\u0435\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u044f \u0432 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u0434\u0435\u0442\u0430\u043b\u0438 \/\/ \u0418\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u043d\u044b\u0435 \u044f\u0437\u044b\u043a\u0438 \u0432 \u0432\u044b\u0441\u0448\u0435\u0439 \u0448\u043a\u043e\u043b\u0435. \u2014 2023. \u2014 \u2116 2 (65). \u2014 \u0421. 47\u201353. \u2014 DOI: 10.37724\/RSU.2023.65.2.007.<\/p>\n

3. \u041a\u0443\u0448\u043d\u0438\u043d\u0430 \u041b. \u0412. \u041e\u0441\u043d\u043e\u0432\u043d\u044b\u0435 \u043f\u0440\u0438\u043d\u0446\u0438\u043f\u044b \u0441\u0438\u043d\u0435\u0440\u0433\u0435\u0442\u0438\u043a\u0438 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0430 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430. \u0421\u0435\u0440. \u00ab\u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0438 \u0444\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u044f\u00bb. \u2014 2011. \u2014 \u2116 4. \u2014 URL : https:\/\/cyberleninka.ru\/article\/n\/osnovnye-printsipy-sinergetiki-perevoda (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 25.02.2026).<\/p>\n

4. \u041b\u043e\u0442\u043c\u0430\u043d \u042e. \u041c. \u0421\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0442\u0435\u043a\u0441\u0442\u0430. \u2014 \u041c. : \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e, 1970. \u2014 384 \u0441.<\/p>\n

5. \u041c\u0430\u0440\u044c\u044f\u043d\u043e\u0432\u0441\u043a\u0430\u044f \u0415. \u041b. \u041a\u0443\u043c\u0443\u043b\u044f\u0442\u0438\u0432\u043d\u044b\u0439 \u0430\u043d\u0430\u043b\u0438\u0442\u0438\u043a\u043e-\u0441\u0438\u043d\u0442\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043f\u043e\u0434\u0445\u043e\u0434 \u043a \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0438 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0442\u0435\u043a\u0441\u0442\u0430 \u043f\u0440\u0438 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0438 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0447\u0438\u043a\u043e\u0432 \/\/ \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043d\u0430\u0443\u043a\u0438. \u0412\u043e\u043f\u0440\u043e\u0441\u044b \u0442\u0435\u043e\u0440\u0438\u0438 \u0438 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438. \u2014 \u0422\u0430\u043c\u0431\u043e\u0432 : \u0413\u0440\u0430\u043c\u043e\u0442\u0430, 2012. \u2014 \u2116 5 (16). \u2014 C. 119\u2013127.<\/p>\n

6. \u041e\u0436\u0435\u0433\u043e\u0432 \u0421. \u0418., \u0428\u0432\u0435\u0434\u043e\u0432\u0430 \u041d. \u042e. \u0422\u043e\u043b\u043a\u043e\u0432\u044b\u0439 \u0441\u043b\u043e\u0432\u0430\u0440\u044c \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u044f\u0437\u044b\u043a\u0430: 72500 \u0441\u043b\u043e\u0432 \u0438 7500 \u0444\u0440\u0430\u0437\u0435\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u0439 \/ \u0420\u0410\u041d ; \u0418\u043d-\u0442 \u0440\u0443\u0441. \u044f\u0437. ; \u0420\u043e\u0441. \u0444\u043e\u043d\u0434 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b. \u2014 2-\u0435 \u0438\u0437\u0434., \u0438\u0441\u043f\u0440. \u0438 \u0434\u043e\u043f. \u2014 \u041c. : \u0410\u0437\u044a, 1994. \u2014 907 \u0441.<\/p>\n

7. \u041f\u043e\u043b\u0438\u043a\u0430\u0440\u043f\u043e\u0432 \u0410. \u041c. \u041f\u0435\u0440\u0435\u0432\u043e\u0434\u0447\u0435\u0441\u043a\u043e\u0435 \u043c\u044b\u0448\u043b\u0435\u043d\u0438\u0435 \u0441 \u043f\u043e\u0437\u0438\u0446\u0438\u0439 \u0438\u043d\u0442\u0435\u0433\u0440\u0430\u0442\u0438\u0432\u043d\u043e\u0433\u043e \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f \/\/ \u041f\u0435\u0440\u0435\u0432\u043e\u0434, \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0438 \u0434\u0438\u0434\u0430\u043a\u0442\u0438\u043a\u0430 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0430. \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0440\u0435\u0433\u0438\u043e\u043d\u044b \u0420\u043e\u0441\u0441\u0438\u0438 : \u043a\u043e\u043b. \u043c\u043e\u043d\u043e\u0433\u0440. \/ \u043f\u043e\u0434 \u043e\u0431\u0449. \u0440\u0435\u0434. \u041d. \u041d. \u0413\u0430\u0432\u0440\u0438\u043b\u0435\u043d\u043a\u043e. \u2014 \u041c. : \u0424\u043b\u0438\u043d\u0442\u0430, 2026. \u2014 \u0421. 117\u2013187.<\/p>\n

8. \u041f\u043e\u043b\u0438\u043a\u0430\u0440\u043f\u043e\u0432 \u0410. \u041c. \u041f\u0435\u0440\u0435\u0432\u043e\u0434\u0447\u0435\u0441\u043a\u043e\u0435 \u0441\u0442\u0440\u0430\u0442\u0435\u0433\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435: \u0441\u043e\u0437\u043d\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \u0438 \u0431\u0435\u0441\u0441\u043e\u0437\u043d\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \/\/ \u041d\u043e\u0432\u043e\u0435 \u0438 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0435 \u0432 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0438 \u0438 \u043f\u0440\u0435\u043f\u043e\u0434\u0430\u0432\u0430\u043d\u0438\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u044f\u0437\u044b\u043a\u0430 \u043a\u0430\u043a \u0438\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u043d\u043e\u0433\u043e : \u0441\u0431. \u0441\u0442. \/ \u0440\u0435\u0434. \u041b. \u0427\u043e\u0432\u0438\u0447. \u2014 \u0411\u0430\u043d\u044f-\u041b\u0443\u043a\u0430 : \u041f\u0430\u043d\u044a\u0435\u0432\u0440\u043e\u043f. \u0443\u043d-\u0442 \u00ab\u0410\u043f\u0435\u0438\u0440\u043e\u043d\u00bb, 2024. \u2014 \u0421. 216\u2013225.<\/p>\n

9. \u0428\u0432\u0435\u0439\u0446\u0435\u0440 \u0410. \u0414. \u041f\u0435\u0440\u0435\u0432\u043e\u0434 \u0438 \u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430 (\u0433\u0430\u0437\u0435\u0442\u043d\u043e-\u0438\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u044b\u0439 \u0438 \u0432\u043e\u0435\u043d\u043d\u043e-\u043f\u0443\u0431\u043b\u0438\u0446\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043f\u0435\u0440\u0435\u0432\u043e\u0434). \u2014 \u041c. : \u0412\u043e\u0435\u043d\u0438\u0437\u0434\u0430\u0442, 1973. \u2014 280 \u0441.<\/p>\n

10. \u042e\u0440\u0438\u043d\u0430 \u041d. \u0413. \u0421\u043f\u0435\u0446\u0438\u0444\u0438\u043a\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u043e\u0439 \u043b\u0438\u0440\u0438\u043a\u0438 \u0425I\u0425 \u0432\u0435\u043a\u0430: \u043e\u0442 \u043b\u044e\u0431\u043e\u043c\u0443\u0434\u0440\u043e\u0432 \u043a \u0412\u043b. \u0421\u043e\u043b\u043e\u0432\u044c\u0435\u0432\u0443 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u041d\u0438\u0436\u0435\u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 \u0438\u043c\u0435\u043d\u0438 \u041d. \u0418. \u041b\u043e\u0431\u0430\u0447\u0435\u0432\u0441\u043a\u043e\u0433\u043e. \u2014 2017. \u2014 \u2116 1. \u2014 \u0421. 250\u2013259.<\/p>\n

11. \u042f\u043a\u043e\u0431\u0441\u043e\u043d \u0420. \u042f\u0437\u044b\u043a \u0438 \u0431\u0435\u0441\u0441\u043e\u0437\u043d\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \/ \u043f\u0435\u0440. \u0441 \u0430\u043d\u0433\u043b., \u0444\u0440. \u041a. \u0413\u043e\u043b\u0443\u0431\u043e\u0432\u0438\u0447, \u0414. \u0415\u043f\u0438\u0444\u0430\u043d\u043e\u0432\u0430, \u0414. \u041a\u0440\u043e\u0442\u043e\u0432\u043e\u0439, \u041a. \u0427\u0443\u0445\u0440\u0443\u043a\u0438\u0434\u0437\u0435. \u0412. \u0428\u0435\u0432\u043e\u0440\u043e\u0448\u043a\u0438\u043d\u0430 ; \u0441\u043e\u0441\u0442., \u0432\u0441\u0442. \u0441\u043b\u043e\u0432\u043e \u041a. \u0413\u043e\u043b\u0443\u0431\u043e\u0432\u0438\u0447, \u041a. \u0427\u0443\u0445\u0440\u0443\u043a\u0438\u0434\u0437\u0435 ; \u0440\u0435\u0434. \u043f\u0435\u0440. \u0424. \u0423\u0441\u043f\u0435\u043d\u0441\u043a\u0438\u0439. \u2014 \u041c. : \u0413\u043d\u043e\u0437\u0438\u0441, 1996. \u2014 248 \u0441.<\/p>\n

12. Reiss K., Vermeer, H. J. Towards a General Theory of Translational Action: Skopos Theory Explained (C. Nord, Trans.; 1st ed.). Routledge, 2013. \u2014 240 p. \u2014 DOI: 10.4324\/9781315759715.<\/p>\n<\/div>\n

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Poetry translation as a strategic re-creation of the artistic whole: An integrative analysis of the Russian translation of Klabund\u2019s poem \u201cDer Friede\u201d Pages: 5-12 \u00a0| DOI: 10.37724\/RSU.2026.78.3.001 \u00a0| EDN: XMZVDE \u00a0| UDK: 81`255.4 Vyazmin A.E. Northern (Arctic) Federal University named after M.V. Lomonosov Polikarpov A.M. Northern (Arctic) Federal University named after M.V. Lomonosov AbstractThis article […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/1064"}],"collection":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=1064"}],"version-history":[{"count":3,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/1064\/revisions"}],"predecessor-version":[{"id":1115,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/1064\/revisions\/1115"}],"wp:attachment":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=1064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}