{"id":1109,"date":"2026-10-01T12:15:54","date_gmt":"2026-10-01T09:15:54","guid":{"rendered":"https:\/\/fljournal.rsu-rzn.ru\/?page_id=1109"},"modified":"2026-10-01T12:23:21","modified_gmt":"2026-10-01T09:23:21","slug":"1109-2","status":"publish","type":"page","link":"https:\/\/fljournal.rsu-rzn.ru\/en\/1109-2\/","title":{"rendered":""},"content":{"rendered":"

<\/p>\n

Representation of the concept of MUSIC structure through subject-and-object relations in English-language literary discourse (based on the novel by O. Wilde \u201cThe Picture of Dorian Gray\u201d)<\/h1>\n
Pages:<\/strong> 90-96 \u00a0|
\nDOI:<\/strong> 10.37724\/RSU.2026.78.3.010 \u00a0|
\nEDN:<\/strong> ILURDI \u00a0|
\nUDK:<\/strong> 821.111.09-31<\/div>\n
\n

Korobko L.V.<\/strong>
\nAir Force Academy named after Professor N. E. Zhukovsky and Y. A. Gagarin<\/p>\n<\/div>\n

\n

Abstract<\/strong>The article offers a cognitive analysis of the concept MUSIC in O. Wilde\u2019s novel \u201cThe Picture of Dorian Gray\u201d through the prism of subject-and-object relations. The relevance of the study is due to the need for a comprehensive description of the verbalization of music as a concept in the individual worldview of the aesthetic writer. The purpose of the work is to identify and systematize the subject and object meanings of the concept, reconstruct its frame-and-slot structure and determine the conceptual features of music. The material consisted of contexts with the lexeme music and its derivatives, selected by the continuous sampling method. Methods of cognitive discursive analysis, frame modeling, quantitative counting and interpretive analysis were used. As a result, it was found that the position of the subject is dominated by the role of a causer of action (60%), which gives music a powerful suggestive potential; in the position of the object, the object of the causative state prevails (33%), emphasizing the transition of the listener to an ecstatic or altered state. The following frames were highlighted: \u201cmusic \u2014 chaos\u201d, \u201cmusic \u2014 energy\u201d, \u201cmusic \u2014 catalyst\u201d, etc. The dual nature of the concept manifests itself on two levels: in the binarity of its subject-object roles (causator vs. state object) and in the ambivalence of its axiological features (aesthetic pleasure vs. psychological destabilization). The epistemological determinants (foundation, condition, cause, purpose) connecting music with the emotional-psychological, intellectual, hedonic and moral-ethical spheres have been reconstructed.<\/p>\n<\/div>\n

Keywords:<\/strong> music, literary discourse, concept, subject, object, frame, slot, Oscar Wilde, \u201cThe Picture of Dorian Gray\u201d, determiners<\/div>\n
Funding:<\/strong>
\nnone<\/div>\n
\n

References<\/h2>\n

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8. \u041c\u0438\u043d\u0441\u043a\u0438\u0439 \u041c. \u0424\u0440\u0435\u0439\u043c\u044b \u0434\u043b\u044f \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u0438\u044f \u0437\u043d\u0430\u043d\u0438\u0439. \u2014 \u041c. : \u042d\u043d\u0435\u0440\u0433\u0438\u044f, 1979. \u2014 152 \u0441.<\/p>\n

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11. Ellmann R. Oscar Wilde. \u2014 L. : Hamish Hamilton, 1987. \u2014 680 p.<\/p>\n

12. Lakoff G., Johnson M. Metaphors We Live By. \u2014 Chicago : University of Chicago Press, 1980. \u2014 242 p.<\/p>\n

13. Wilde O. The Picture of Dorian Gray. \u2014 The Electric Book Company Ltd., 1998. \u2014 URL: http:\/\/e-libra.ru\/download\/328943\/ (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 10.04.2026).<\/p>\n<\/div>\n

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Representation of the concept of MUSIC structure through subject-and-object relations in English-language literary discourse (based on the novel by O. Wilde \u201cThe Picture of Dorian Gray\u201d) Pages: 90-96 \u00a0| DOI: 10.37724\/RSU.2026.78.3.010 \u00a0| EDN: ILURDI \u00a0| UDK: 821.111.09-31 Korobko L.V. Air Force Academy named after Professor N. E. Zhukovsky and Y. A. Gagarin AbstractThe article offers […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/1109"}],"collection":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=1109"}],"version-history":[{"count":4,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/1109\/revisions"}],"predecessor-version":[{"id":1128,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/1109\/revisions\/1128"}],"wp:attachment":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=1109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}