{"id":930,"date":"2026-07-02T23:51:43","date_gmt":"2026-07-02T20:51:43","guid":{"rendered":"https:\/\/fljournal.rsu-rzn.ru\/?page_id=930"},"modified":"2026-07-03T14:23:10","modified_gmt":"2026-07-03T11:23:10","slug":"930-2","status":"publish","type":"page","link":"https:\/\/fljournal.rsu-rzn.ru\/en\/930-2\/","title":{"rendered":""},"content":{"rendered":"<p><\/p>\n<h1>The mechanism of constructing the binary concepts of life and death in Sergey Yesenin\u2019s poems and their dialectical unity<\/h1>\n<p><strong>Pages:<\/strong> 50-57 \u00a0|\u00a0 <strong>DOI:<\/strong> 10.37724\/RSU.2026.77.2.005 \u00a0|\u00a0 <strong>EDN:<\/strong> PTVOXV \u00a0|\u00a0 <strong>UDK:<\/strong> 81-11(045)<\/p>\n<p><strong>Le X.<\/strong><br \/>\nChangchun University<\/p>\n<p><strong>Abstract<\/strong><\/p>\n<p>This article uses the analytical basis of image schemas and conceptual metaphors to systematically examine the cognitive mechanisms and internal relationships of the unity of the binary concepts LIFE and DEATH in Yesenin&#8217;s poetry from the perspective of cognitive linguistics. It analyses the concepts LIFE and DEATH as expressed in eight of Yesenin\u2019s poems. This interdisciplinary study corresponds to the research interests of philosophers, lexicologists and specialists in cognitive and emotional linguistics. While domestic and international scholars have expressed significant interest in the theme of life and death in Yesenin\u2019s poetry, this study is the first to explore the dialectical relationship between these concepts within his works. Based on the opposition between life and death, the study formulates and substantiates a model of their relationship as a \u201cdynamic unity in the natural cycle\u201d, which constitutes its scientific novelty.<\/p>\n<p><strong>Keywords:<\/strong> binary concepts, dialectical unity, death, life, Yesenin<\/p>\n<p><strong>Funding:<\/strong><\/p>\n<p>none<\/p>\n<p><strong>References<\/strong><\/p>\n<p>1. \u0412\u043e\u0440\u043e\u043d\u043e\u0432\u0430 \u041e. \u0415. \u0424\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0438\u0439 \u0441\u043c\u044b\u0441\u043b \u043f\u043e\u044d\u043c\u044b \u0415\u0441\u0435\u043d\u0438\u043d\u0430 \u00ab\u0427\u0435\u0440\u043d\u044b\u0439 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u00bb (\u041e\u043f\u044b\u0442 \u00ab\u044d\u043a\u0437\u0438\u0441\u0442\u0435\u043d\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u0433\u043e\u00bb \u0430\u043d\u0430\u043b\u0438\u0437\u0430) \/\/ \u0412\u043e\u043f\u0440\u043e\u0441\u044b \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u2014 1997. \u2014 \u2116 6. \u2014 C. 343\u2013352.<br \/>\n2. \u0413\u043b\u0443\u0448\u0430\u043a\u043e\u0432, \u041f. \u0421. \u0418\u0433\u0440\u0430 \u0441\u043e \u0441\u043c\u0435\u0440\u0442\u044c\u044e \u0432 \u0441\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u0438 \u0421\u0435\u0440\u0433\u0435\u044f \u0415\u0441\u0435\u043d\u0438\u043d\u0430 \u00ab\u0414\u043e \u0441\u0432\u0438\u0434\u0430\u043d\u044c\u044f, \u0434\u0440\u0443\u0433 \u043c\u043e\u0439, \u0434\u043e \u0441\u0432\u0438\u0434\u0430\u043d\u044c\u044f\u2026\u00bb \/\/ \u0412\u043e\u043f\u0440\u043e\u0441\u044b \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u2014 2014. \u2014 \u2116 5. \u2014 C. 276\u2013300.<br \/>\n3. \u0414\u043e\u043c\u0430\u043d\u0441\u043a\u0438\u0439 \u0412. \u0410. \u041c\u0435\u0442\u0430\u0444\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043c\u0438\u0440 \u0421\u0435\u0440\u0433\u0435\u044f \u0415\u0441\u0435\u043d\u0438\u043d\u0430 \/\/ \u0421\u0435\u0440\u0433\u0435\u0439 \u0415\u0441\u0435\u043d\u0438\u043d \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0435 \u044d\u043f\u043e\u0445\u0438 : \u043a\u043e\u043b. \u043c\u043e\u043d\u043e\u0433\u0440. \/ \u043e\u0442\u0432. \u0440\u0435\u0434. \u041d. \u0418. \u0428\u0443\u0431\u043d\u0438\u043a\u043e\u0432\u0430-\u0413\u0443\u0441\u0435\u0432\u0430. \u2014 \u041c. : \u0418\u041c\u041b\u0418 \u0420\u0410\u041d, 2021. \u2014 \u0421. 103\u2013131. \u2014 DOI : https:\/\/doi.org\/10.22455\/978-5-9208-0672-7-103-131.<br \/>\n4. \u0415\u0441\u0435\u043d\u0438\u043d \u0421. \u0410. \u041f\u043e\u043b\u043d\u043e\u0435 \u0441\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 7 \u0442. \/ \u043f\u043e\u0434\u0433. \u0442\u0435\u043a\u0441\u0442\u0430 \u0438 \u043a\u043e\u043c\u043c\u0435\u043d\u0442. \u0410. \u0410. \u041a\u043e\u0437\u043b\u043e\u0432\u0441\u043a\u043e\u0433\u043e. \u2014 \u041c. : \u041d\u0430\u0443\u043a\u0430 : \u0413\u043e\u043b\u043e\u0441, 1995. \u0422\u043e\u043c 1 : \u0421\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u044f. \u2014 672 \u0441.<br \/>\n5. \u041a\u0435\u043b\u044c\u0431\u0435\u0445\u0430\u043d\u043e\u0432\u0430 \u041c. \u0420. \u0422\u0435\u043c\u0430 \u0436\u0438\u0437\u043d\u0438 \u0438 \u0441\u043c\u0435\u0440\u0442\u0438 \u0432 \u043b\u0438\u0440\u0438\u043a\u0435 \u0421. \u0415\u0441\u0435\u043d\u0438\u043d\u0430 \/\/ \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0438 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e-\u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u043c\u044b\u0441\u043b\u044c. \u20142015. \u2014 \u0412\u044b\u043f. 7 (4). \u2014 \u0421. 148\u2013152. https:\/\/cyberleninka.ru\/article\/n\/tema-zhizni-i-smerti-v-lirike-s-esenina (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 12.06.2026).<br \/>\n6. \u041a\u043e\u0440\u0436\u0430\u043d \u0412. \u0412. \u0415\u0441\u0435\u043d\u0438\u043d \u0438 \u043d\u0430\u0440\u043e\u0434\u043d\u0430\u044f \u043f\u043e\u044d\u0437\u0438\u044f. \u2014 \u041b. : \u041d\u0430\u0443\u043a\u0430, \u041b\u0435\u043d\u0438\u043d\u0433\u0440. \u043e\u0442\u0434-\u0435, 1969. \u2014 200 \u0441.<br \/>\n7. \u041a\u043e\u0448\u0435\u0447\u043a\u0438\u043d \u0421. \u041f. \u0412\u0435\u0441\u0435\u043d\u043d\u0435\u0439 \u0433\u0443\u043b\u043a\u043e\u0439 \u0440\u0430\u043d\u044c\u044e : \u044d\u0442\u044e\u0434\u044b-\u0440\u0430\u0437\u0434\u0443\u043c\u044c\u044f \u043e \u0421\u0435\u0440\u0433\u0435\u0435 \u0415\u0441\u0435\u043d\u0438\u043d\u0435: \u0434\u043b\u044f \u0441\u0442. \u0448\u043a. \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430. \u2014 \u041c\u0438\u043d\u0441\u043a : \u042e\u043d\u0430\u0446\u0442\u0432\u0430, 1989. \u2014 239 \u0441.<br \/>\n8. \u041b\u044e\u0431\u0438\u043c\u043e\u0432 \u041d. \u041c. \u041d\u0435\u0441\u0433\u043e\u0440\u0430\u0435\u043c\u044b\u0435 \u0441\u043b\u043e\u0432\u0430: \u043e \u043f\u043e\u044d\u0442\u0438\u043a\u0435 \u0424\u0435\u0442\u0430, \u0410. \u041a. \u0422\u043e\u043b\u0441\u0442\u043e\u0433\u043e, \u0421\u043b\u0443\u0447\u0435\u0432\u0441\u043a\u043e\u0433\u043e, \u041a\u043e\u0440\u043e\u043b\u0435\u043d\u043a\u043e, \u0411\u0443\u043d\u0438\u043d\u0430, \u0411\u0430\u0433\u0440\u0438\u0446\u043a\u043e\u0433\u043e, \u041f\u0430\u0441\u0442\u0435\u0440\u043d\u0430\u043a\u0430. \u2014 2-\u0435 \u0438\u0437\u0434., \u0434\u043e\u043f. \u2014 \u041c. : \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1988. \u2014 336 \u0441.<br \/>\n9. \u041c\u0430\u0440\u0447\u0435\u043d\u043a\u043e \u0410. \u041c. \u041f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043c\u0438\u0440 \u0415\u0441\u0435\u043d\u0438\u043d\u0430. \u2014 \u041c. : \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1972. \u2014 312 \u0441.<br \/>\n10. Khazan V. \u0417\u0430\u043c\u0435\u0442\u043a\u0438 \u043a \u0442\u0435\u043c\u0435 \u00ab\u0441\u043c\u0435\u0440\u0442\u044c \u0432 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u043c \u043c\u0438\u0440\u0435 C. E\u0441\u0435\u043d\u0438\u043d\u0430\u00bb \/\/ Revue des \u00e9tudes slaves. \u2014 1995. \u2014 No. 67 (1). \u2014 Pp. 49\u201364.<br \/>\n11. Camus A. Le Mythe de Sisyphe. \u2014 Gallimard : Folio (Folio Essais), 1985. \u2014 192 p.<br \/>\n12. \u9a6c\u4e01 \u8377\u5c14\u5fb7\u6797. \u8377\u5c14\u5fb7\u6797\u8bd7\u7684\u9610\u91ca\/\u5b59\u5468\u5174\u8bd1.\u2014\u5317\u4eac\uff1a\u5546\u52a1\u51fa\u7248\u793e\uff0c2009.\u2014 265\u9875. [\u041c\u0430\u0440\u0442\u0438\u043d \u0413\u0451\u043b\u044c\u0434\u0435\u0440\u043b\u0438\u043d. \u0418\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0438 \u043f\u043e\u044d\u0437\u0438\u0438 \u0413\u0451\u043b\u044c\u0434\u0435\u0440\u043b\u0438\u043d\u0430 \/ \u043f\u0435\u0440. \u0421\u0443\u043d\u044c \u0427\u0436\u043e\u0443\u0441\u0438\u043d]. \u2014 \u041f\u0435\u043a\u0438\u043d : \u041a\u043e\u043c\u043c\u0435\u0440\u0447\u0435\u0441\u043a\u043e\u0435 \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e, 2009. \u2014 265\u0441.<br \/>\n13. \u6d77\u5fb7\u683c\u5c14. \u5b58\u5728\u4e0e\u65f6\u95f4\/\u9648\u5609\u6620\u7b49\u8bd1.\u2014\u5317\u4eac: \u751f\u6d3b \u8bfb\u4e66 \u65b0\u77e5\u4e09\u8054\u4e66\u5e97\uff0c2006.\u2014 518\u9875. [\u0425\u0430\u0439\u0434\u0435\u0433\u0433\u0435\u0440. \u0411\u044b\u0442\u0438\u0435 \u0438 \u0432\u0440\u0435\u043c\u044f \/ \u043f\u0435\u0440. \u0427\u044d\u043d\u044c \u0426\u0437\u044f\u0438\u043d \u0438 \u0434\u0440. ]. \u2014 \u041f\u0435\u043a\u0438\u043d : Sanlian Books, 2006. \u2014 518 \u0441.<\/p>\n<hr \/>\n<p><a href=\"http:\/\/fljournal.rsu-rzn.ru\/wordpress\/wp-content\/uploads\/2026\/07\/5.pdf\" download=\"\">Download PDF<\/a><br \/>\n<a href=\"https:\/\/disk.yandex.ru\/d\/RPB-psXyndU2tA\" download=\"\">Download XML<\/a><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>The mechanism of constructing the binary concepts of life and death in Sergey Yesenin\u2019s poems and their dialectical unity Pages: 50-57 \u00a0|\u00a0 DOI: 10.37724\/RSU.2026.77.2.005 \u00a0|\u00a0 EDN: PTVOXV \u00a0|\u00a0 UDK: 81-11(045) Le X. Changchun University Abstract This article uses the analytical basis of image schemas and conceptual metaphors to systematically examine the cognitive mechanisms and internal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/930"}],"collection":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=930"}],"version-history":[{"count":4,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/930\/revisions"}],"predecessor-version":[{"id":982,"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/930\/revisions\/982"}],"wp:attachment":[{"href":"https:\/\/fljournal.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}